The 13th Floor

Films 

Satan as a Feminist Instrument: Exploring THE LORDS OF SALEM

I don’t need to tell Blumhouse readers that Rob Zombie has had a textured and fascinating career. Rob first rose to fame as frontman for well-regarded metal band White Zombie in the 1980s and ’90s, and began mixing techno with metal as part of a well-regarded solo career that spans nearly 20 years and six […]

Films 

Blood is Blood: Queer Subtext in THE LOST BOYS

The first time I saw THE LOST BOYS, I was too young to acknowledge the reasons for its charm over me. It was a fun, subversive vampire movie with a rocking soundtrack. But as I got older, and started figuring things out about myself, the film took on new meanings for me. It was an allegory […]

Films 

Why KILLER CONDOM is Actually an Important Movie… No, Seriously

Sexual anxiety is a common theme in horror. There have been many, many great horror films over the ages to tackle humanity’s ongoing relationship with our own libidinous urges, and every nation has had a chance to weigh in on whatever sexual hysteria exists in their own culture. [Check out this earlier feature for a […]

Films 

Why Lucky McKee’s THE WOMAN Is a Powerful Nod to Femininity

A few weeks ago, while perusing through Shudder, I accidentally put on Lucky McKee’s THE WOMAN.  At the time, I was supposed to be watching a different movie and in my exhausted state of mind, mixed the two up.  Having heard praises for the film within the horror community, I figured, what the hell, let […]

Films 

Why the Politics of AMERICAN PSYCHO Are Shockingly Relevant Today

Since I choose to actively eschew the word “controversial,” I elect to describe famed 52-year-old novelist Bret Easton Ellis as “confrontational.” Ellis is a direct author who aims to shake readers from their societal complacency by peeling back all the wet, fleshy layers of good decorum to reveal the blackened, hedonistic, selfish heart of a […]