The 13th Floor

Films 

How THE BABADOOK Became a Gay Icon — Practically Overnight!

Jennifer Kent’s 2014 film THE BABADOOK is one of the best in modern horror. It’s an achingly sad tale of a single mother’s struggle to cope with the loss of a partner, the erratic tantrums of her now fatherless child, and subsequent damages to her psyche — all of which manifest in the towering boogeyman […]

Films 

Blood is Blood: Queer Subtext in THE LOST BOYS

The first time I saw THE LOST BOYS, I was too young to acknowledge the reasons for its charm over me. It was a fun, subversive vampire movie with a rocking soundtrack. But as I got older, and started figuring things out about myself, the film took on new meanings for me. It was an allegory […]

Films 

Why KILLER CONDOM is Actually an Important Movie… No, Seriously

Sexual anxiety is a common theme in horror. There have been many, many great horror films over the ages to tackle humanity’s ongoing relationship with our own libidinous urges, and every nation has had a chance to weigh in on whatever sexual hysteria exists in their own culture. [Check out this earlier feature for a […]

Films Real Life Scares 

Why SEED OF CHUCKY is the Radically Queer Film We All Need Right Now

I don’t know if you’ve noticed, but things are getting a little heated out there in the political realm these days. As much as we’d all like to avoid it, not everyone can. A vast majority of the political rhetoric this year has concerned certain immutable aspects of people’s identities, especially when it comes to […]

Films 

Euro-Sleaze: Landmarks in European Queer Cinema

The blame for my indoctrination into the human despair, psychological violence and sadistic glee of European Queer Cinema lies entirely with French writer, filmmaker and rape-survivor Virginie Despentes. In my boyhood I went along to a screening in Dublin’s IFI (Irish Film Institute) of her vengeance-themed and violently pornographic BAISE-MOI. The tagline piqued my morbid […]