The 13th Floor

Films 

ROSEMARY’S BABY and the War on Women’s Reproductive Rights

Roman Polanski — perhaps the most unlikely commentator on women’s rights — made ROSEMARY’s BABY at an idealistic time. In 1960, the first birth control pill Enovid was placed on the pharmaceutical market thanks in part to Margaret Sanger. While “the pill” was originally prescribed for menstrual disorders and irregularities most women were secretly using […]

Films 

Satan as a Feminist Instrument: Exploring THE LORDS OF SALEM

I don’t need to tell Blumhouse readers that Rob Zombie has had a textured and fascinating career. Rob first rose to fame as frontman for well-regarded metal band White Zombie in the 1980s and ’90s, and began mixing techno with metal as part of a well-regarded solo career that spans nearly 20 years and six […]

Films 

Blood is Blood: Queer Subtext in THE LOST BOYS

The first time I saw THE LOST BOYS, I was too young to acknowledge the reasons for its charm over me. It was a fun, subversive vampire movie with a rocking soundtrack. But as I got older, and started figuring things out about myself, the film took on new meanings for me. It was an allegory […]

Films 

Why Lucky McKee’s THE WOMAN Is a Powerful Nod to Femininity

A few weeks ago, while perusing through Shudder, I accidentally put on Lucky McKee’s THE WOMAN.  At the time, I was supposed to be watching a different movie and in my exhausted state of mind, mixed the two up.  Having heard praises for the film within the horror community, I figured, what the hell, let […]