The 13th Floor

Films 

How THE BABADOOK Became a Gay Icon — Practically Overnight!

Jennifer Kent’s 2014 film THE BABADOOK is one of the best in modern horror. It’s an achingly sad tale of a single mother’s struggle to cope with the loss of a partner, the erratic tantrums of her now fatherless child, and subsequent damages to her psyche — all of which manifest in the towering boogeyman […]

Films 

Blood is Blood: Queer Subtext in THE LOST BOYS

The first time I saw THE LOST BOYS, I was too young to acknowledge the reasons for its charm over me. It was a fun, subversive vampire movie with a rocking soundtrack. But as I got older, and started figuring things out about myself, the film took on new meanings for me. It was an allegory […]

Films 

Examining “Gay Panic” Themes in the Vampire Classic, FRIGHT NIGHT

In Harvard Professor Marjorie Garber’s invaluable 2000 work BISEXUALITY AND THE EROTICISM OF EVERYDAY LIFE (one of the only notable scholarly works on bisexuality, although Kenji Yoshino’s THE EPISTEMIC CONTRACT OF BISEXUAL ERASURE also comes recommended), she posits (to make a generality about her work) that bisexual women are typically eroticized in films to directly […]